Description

In the video Mothertext we see a hand placing letters made of paper pulp, spelling “The mother text” in a sink filled with milk. The artist is then seen walking down a long, snow-covered driveway towards the farm where she grew up. The narrator speaks about looking for someone but being unable to find her, about absence. She writes in the snow “where are you?” We see a wall covered with papers dense with hand writing (this is the artist’s video projection Motherwall), and an overlay with hands or gloves.

The narrator continues speaking about memories and remembering, telling what connects her to her lost mother. An electronic piano plays interludes between the narrations. The narrator addresses her mother, telling her about a vision she had while in an acupuncture treatment. We see the hands moving through the milk in the sink. The camera shows the paper letters from the beginning of the video that now are transformed by colourful mold. The artist is again seen on the driveway walking resolutely away from the farm; the narrator speaks about wanting to let go, but not knowing how to say “good-bye”. Many of the scenes use a negative-image video effect to alter the color of the image.


Statement

Mothertext is an imitate piece about the loss of my mother and the process of grieving: forgetting and remembering, and letting go.

Karen Trask, 2024



Exhibition History

Mother
group
May 16 – June 30, 2015
Muratcentoventidue-Artecontemporanea, Bari, Puglia region, Italy
Statement

Le parole hanno un ruolo centrale nella ricerca artistica di Karen Trask che è attratta dalla loro natura effimera e transitoria. Giocando con testi e forme narrative di vario genere, tratta i temi dell’assenza, della presenza, della memoria, dello spazio e del tempo.

Le sue ultime opere sono spesso forme ibride fra installazione, scultura, video, performance e libro d’artista.
Nel video in mostra, Mothertext, l’artista cerca di dare un significato alla perdita di una persona cara, e di reinventare un rapporto madre-figlia aldilà del sentimento di mancanza e di dolore vissuti durante l’infanzia.

Una presenza fisica reale è data dalle parole, parole sospese nello spazio, parole scritte sulla neve, parole che galleggiano nel latte e che col tempo si trasformano. Lo spazio vuoto, il silenzio e il candore dei materiali – il latte, la neve e la carta- sono usati come metafora per dare concretezza alla presenza di “un’assenza”.

– Press Release, 2015

Words play a central role in Karen Trask’s artistic research, which appeal to her for their ephemeral and transitory nature. Playing with texts and narrative forms of various kinds, she deals with the themes of absence, presence, memory, space and time.

Her latest works are often hybrid forms between installation, sculpture, video, performance and artist’s books.

In the video on display, Mothertext, the artist tries to give meaning to the loss of a loved one, and to reinvent a mother-daughter relationship beyond the feeling of loss and pain experienced during childhood.

A real physical presence is given by words, words suspended in space, words written on snow, words floating in milk and that transform over time. The empty space, the silence and the candor of the materials – milk, snow and paper – are used as a metaphor to give concreteness to the presence of “an absence”.

Curator(s)
Angela Gonnella
Other Artist(s)
Rita Casdia, Elisabetta Di Sopra, Anahita Hekmat, Chrischa Venus Oswald, Jenna Pippett
CologneOFF IV – Mother
festival
2001
Les rendez-vous du cinéma québécois 18 édition
festival
February 17 – February 27, 2000
Cinémathèque québécoise, Montréal, Québec, Canada
Description

Karen’s works were included in the Art and expérimentation program.

Niagara Indie Film and Video Festival
festival
2000
Niagara Arts Centre, St-Catherines, Ontario, Canada
Breathing Room
solo
May 20 – June 12, 1999
Latitude 53 Society of Artists, Edmonton, Alberta, Canada

Publications

Breathing Room: an installation by Karen Trask
Beau Coleman (1998). Latitude 53, 4 pages